Archive

Archive for the ‘Tunisia’ Category

Rapping the Arab Spring

January 14, 2014 Leave a comment

From the World Policy Journal

By Sam R. Kimball

TUNIS—Along a dusty main avenue, past worn freight cars piled on railroad tracks and young men smoking at sidewalk cafés beside shuttered shops, lies Kasserine, a town unremarkable in its poverty. Tucked deep in the Tunisian interior, Kasserine is 200 miles from the capital, in a region where decades of neglect by Tunisia’s rulers has led to a state of perennial despair. But pass a prison on the edge of town, and a jarring mix of neon hues leap from its outer wall. During the 2011 uprising against former President Zine El-Abdine Ben Ali, prisoners rioted, and much of the wall was destroyed in fighting with security forces. On the wall that remains, a poem by Tunisian poet Abu al Qassem Chebbi stretches across 800 feet of concrete and barbed wire, scrawled in calligraffiti—a style fusing Arabic calligraphy with hip hop graffiti—by Tunisian artist Karim Jabbari. On each section of the wall, one elaborate pattern merges into a wildly different one. “Before Karim, you might have come to Kasserine and thought, ‘There’s nothing in this town.’ But we’ve got everything—from graffiti, to breakdance, to rap.The kids here, they’re talented; they’ve got passion,” says a local youth who assisted Jabbari in the prison wall project.

Read more…

Advertisements

The Hip-Hop Rhythm of Arab Revolt

July 25, 2011 Leave a comment

The Arab Spring is widely known as a Twitter rebellion, but underground hip-hop artists also played a very important role. Robin Wright, author of “Rock the Casbah: Rage and Rebellion Across the Islamic World,” talks with Jerry Seib about the phenomenon.

In November 2010, a young Tunisian rapper who called himself El General posted a song on his Facebook page and YouTube. He had no alternative.

The government of President Zine al-Abidine Ben Ali had virtually banned hip-hop. Its musicians were not on government-approved playlists for state-controlled television or radio. They were rarely able to get permits to perform in public. And most were barred from recording CDs.

Read more…